Arts, Culture & Humanities

Homesick blues

Claude Fischer

On July 29, 1898, a string of headlines in The New York Times read:

A DEATH BY NOSTALGIA / The Case of Private Atkins, Who Died of Homesickness, Regarded as Remarkable /  One of the Rarest of Diseases / Dr. E. C. Spitzka . . .  Says It Is Next to Impossible for an American to Have It

Magritte's painting "Homesickness"

Magritte's "Homesickness"

The report goes on to explain that this “disease, which, translated into English, is homesickness, is regarded as so rare, especially among Americans, that” the case of this soldier stationed in Santiago, Cuba, “is causing considerable comment among physicians. According to a medical authority, ‘nostalgia is a form of melancholy brought about by an unsatisfied longing for home or home surroundings . . . and may even lead [through digestive problems, fever, and general debility] to . . .  death’.”

Contrary to the surprised tone of this 1898 report, earlier cases of death by homesickness had, in fact, been reported. For example, a short item in the January 19, 1871 Times reads: “A Virginia girl of sixteen has died of home-sickness at a Richmond boarding school.”  Indeed, worries about homesickness and its debilitating effects were common during the Civil War and earlier as described by Susan J. Matt in her new book, Homesickness: An American History.


Inventing a disease

Matt describes the way doctors, over the course of the 19th century, came to interpret the symptoms of missing one’s home into a syndrome we now call homesickness. The condition was not new. American commanders during the Revolutionary War dealt harshly with soldiers  might desert because of their yearning for home. (European armies were more tolerant.)  But during the 19th century, which was an era of general emotional intensification— see this earlier post — homesickness seemingly intensified; it was elaborated, examined, and medicalized. The military, in particular, repeatedly had to recognize and deal with it. Mostly, homesick young soldiers were told to, in effect, “man up.” (Women usually could be homesick without much embarrassment.) And, as we saw, some people purportedly died from it.

This emotional condition, discovered and intensified in the 19th century, cooled down in the 20th. American institutions developed systems of handling homesickness. The modern Army, for example, tries to bring the sights and sounds of home, such as the food and video games, to soldiers in Iraq and Afghanistan. Summer camps and colleges have deployed all sorts of techniques for distracting youngsters out of their homesickness — including trying to keep anxious parents from meddling too much. Today, we would think it weird that someone would simply die of being homesick.

Matt suggests that, in the modern era, when technology allows us to keep in touch with home, the same sort of feeling — a melancholy about a past connection has been lost — has become attached, not to places, but to past historical era. And so “nostalgia,” as we understand the term today, is more the emotion of our times than is homesickness. People may not die of what we today call nostalgia, as Private Atkins purportedly did, but it shapes the way many of us understand the past.

Cross-posted from Claude Fischer’s blog, Made in America: Notes on American life from American history.

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Comments to "Homesick blues":
    • Robert

      I’m not quite sure what role nostalgia has played in bygone times (I’ve only lived one 29 year life so far!). However, nostalgia does seem to be one of the dominant themes permeating throughout American culture.

      My own assumption at this point is that society in general is unwilling to embrace modernity to the full. I immediately think back to modern architecture styles and trends, popularized in the 50s and 60s, where industrialized materials and products embraced the medium in which they were constructed. Enter any home improvement store today and you will find a plethora of products, the vast majority of which are reproductions of “traditional” building materials(usually distressed to appear as if they have been worn by time).

      I find home improvement products the most interesting, because one of their primary functions is to set a certain aesthetical mood that is consistently present in the home owners life. Thus the postmodernist revolt continues, albeit in some rather bizarre ways.

      I think the latest Woody Allen movie, Midnight in Paris, humorously satirizes the way the preference for nostalgia has created a void among the more “creative” elements of our society.

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    • Pius

      I consider myself lucky that I can still keep relating to my childhood home, people and events and continue to feel drawn to it. What is concerning me today is how I would provide the same context to my wards.

      Would tomorrow’s children be assured that they would have proper parents? Would they have proper home to relate to? We may need to sit up and take stock once again. That would be nostalgia back home.

      Cheers,
      Pius@work

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